npr:

“We are in Vienna,” imagines NPR’s Robert Krulwich. “Leonard Bernstein is on the podium. The Vienna  Philharmonic is on the stage, Haydn’s Symphony no.88 is in the air, and  our question is: Where are Bernstein’s hands?  Why isn’t he using his  hands? He’s moving nothing — except his face.”
Replies Ezra Block: “My friend George Steel, Director of the New York City Opera calls  this technique ‘eyebrows only,’ though as you can see, his chin is  working, his eyes are darting, his mouth is up, down. He’s liking,  noticing, saying thank you using only his face muscles. You should let people see this.”
Krulwich: “Ok, ok. Here’s Leonard Bernstein finishing an encore performance of the 4th movement of Haydn’s 88th. Watch the man.”

npr:

“We are in Vienna,” imagines NPR’s Robert Krulwich. “Leonard Bernstein is on the podium. The Vienna Philharmonic is on the stage, Haydn’s Symphony no.88 is in the air, and our question is: Where are Bernstein’s hands?  Why isn’t he using his hands? He’s moving nothing — except his face.”

Replies Ezra Block: “My friend George Steel, Director of the New York City Opera calls this technique ‘eyebrows only,’ though as you can see, his chin is working, his eyes are darting, his mouth is up, down. He’s liking, noticing, saying thank you using only his face muscles. You should let people see this.”

Krulwich: “Ok, ok. Here’s Leonard Bernstein finishing an encore performance of the 4th movement of Haydn’s 88th. Watch the man.”


Notes

  1. maestroleonardbernstein reblogged this from npr
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  6. huyhoquocho reblogged this from nyphil and added:
    Reminds me of the conductor’s symposium when McCauley and Kirchhoff would do the ‘use your face only’ technique. Awesome
  7. deus-ex-musica reblogged this from nyphil and added:
    THIS MAN IS MY IDOL.
  8. jaycaparino reblogged this from jasonweinberger
  9. rebecca-c reblogged this from nyphil and added:
    I have a somewhat newly discovered appreciation for Bernstein. This is mostly stemmed from my love of his speaking...
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