Track:
This Perfect World
Artist:
Freedy Johnston
Album:
This Perfect World
The song in question.
I Totally Forgot Butch Vig Did This, but He's Totally Right
What's the most underrated record you've ever worked on?
This Perfect World by Freedy Johnston. An amazing singer-songwriter, I'm very close to him still; he sang at my wedding. The song "This Perfect World" is one of my favorite songs I've ever recorded. At the time I did that, people were taken aback because he's just like, a folk singer. It takes a couple listens to get used to his voice—he's got that high Midwestern twang—but there's some beautiful, beautiful songs on it.
Today in 80s.
We started talking yesterday about how Tumblr should sponsor a rodeo and I’ve had this song in my head ever since.
Track:
New Girlfriend (1994)
Artist:
Monobrow
Album:
Decade Vol. I
140 plays
New Girlfriend, Monobrow, 1994
I’d forgotten all the great live Steve Earle recordings there are. Thanks, Spotify!
So it does! Some unexpectedly nice work here.
Marco Rubio’s war on disco
By UNIVISION NEWS
Channel: Politics, EntertainmentMarco Rubio has found something he dislikes more than President Obama and questions about the vice presidential nomination: disco.
Oh, come on. How are you not going to click on that link?
“Stupid Girl” by Garbage, a band from Madison, Wis., where Mitt Romney began his morning today.
I’m kind of loving Holly’s Campaign 2012 soundtrack…
“Venerable culture hasn’t disappeared; its past is present. The cooler commercials and half the music videos are shown in pearly black and white. Tony Soprano slouches into a epiphanic funk watching James Cagney as a Chicago gangster in the 1931 “Public Enemy.” The hippest, funniest show of the ’90s, “Mystery Science Theater 3000,” was nothing but guys making sophisticated cracks about bad old movies — and thus making them good…. for something. More broadly, the parody element inside so many hit movies and TV shows, as well as the sampling of hip-hop, demands that the consumer have a panoramic familiarity with the pop culture of yesterday and the day or decade before. You won’t GET “Scary Movie” unless you know “Scream”; won’t get “Scream” unless you know “Halloween”; won’t understand “Halloween” without “Psycho.” That leads kids to the video store — perhaps not for the best the past had to offer, but certainly for a huge hunk of it.”
—Richard Corliss, “That Old Feeling”
Eleven years ago today, I started one of the greatest experiences of my time as a journalist—editing a genius Time movie critic’s column. A decade later, these are still fantastic reads, and I’m reminded again of how luck I was to be able to work with such great people throughout my career.